I have chosen to analyse the audience pleasures of watching
Miranda (BBC 1). I will give specific examples by close reference to episodes
and by quotation.
Miranda is mainstream family viewing, aimed at a target
audience who would relate to middle class life. Miranda is a TV sitcom:
socially inept Miranda always gets into awkward situations when working in her
joke shop with best friend Stevie, being hounded by her pushy mother, and
especially when she is around her crush Gary.
A comprehensive review of all four BBC TV channels by the
governing trust (July 2014) found that BBC 1 could feel “middle class in focus
and target audience" with Miranda cited as an example. They also found
that the BBC is falling out of favour with younger people and BAME (black,
Asian and minority ethnic viewers). The average age of BBC1 viewers is 59,
compared with 56 in 2010/11. However, the character of Miranda is also quite
like a big child as she is unmarried, always making a fool of herself and
getting into trouble with her mother, so I think that audiences such as younger
people could relate to her childish behaviour; middle class women from the ages
of 20 – 40 could relate to her lifestyle or struggles with her mother; single
women could relate to her funny attempts and issues when trying to find a
romantic partner.
Audiences also relate to her relationship with her best
friend Stevie because it is a very childish friendship that most people
experience throughout their life of constant competitions over silly things and
witty banter but always looking out for each other and protecting their
friendship. However it is also relatable because Stevie is portrayed as the
smart, witty confident and physically attractive friends who you are always
being compared. Miranda has to compete with Stevie for men and against Stevie’s
natural ‘allure’ with her ‘wiles’. There
is also a large contrast between them which gives a good comedic aspect to
their friendship. Miranda is tall with short mousy brown hair and very
unorganised and clumsy while Stevie is petite, blonde and very confident and
organised.
Miranda offers the pleasures of the sitcom genre, such as
characters that are recognizable that the audience can relate to, who are
stereotypes. Miranda's mother, for example, she is a very snobby and relentless
when it comes to trying to find Miranda a husband or ‘a proper job’. She is
shown to the audience as an older posh middle class lady firstly with her
outfits. Tailored blazers, respectable floral dresses and pearl necklaces along
with her very formal and aristocratic sounding way of speaking. Miranda's mother
makes us laugh because Miranda and penny have such different personalities and
penny has many little quirks and tips she has for Miranda that the audience
would find amusing. For example her fake laugh to the tune of the Barbie theme
song or her use of the phrases: “what I call…” and “such fun”, which annoy Miranda
and again give the audience a funny scene to then watch.
Miranda's group of
girl friends are stereotypes. For example they are portrayed as always watching
there figure and eating things like salads when they really want more filling
foods like shepherds pies etc. Her girl friends often make us laugh at Miranda,
such as in the episode when her friends call her "Queen Kong",
referring to the movie king Kong about a large gorilla, making fun of her and
basically calling her a female gorilla. However, in many ways, Miranda is an
anti-stereotype because she is not the typical female lead you would encounter
in a sitcom. She is quite peculiar looking and is very tall with short hair as
well as being very clumsy very much the opposite of her girlfriends and all of
the woman shown on the show.

There are many points of recognition for middle class
audiences in the ways in which the sitcom addresses audience’s lifestyles,
concerns, hopes, such as Miranda's conflict with her mother as when Miranda’s
mother is at first horrified that Miranda will be attending a social event
afraid that she will embarrass herself and her mother. This may be relatable to
mothers and daughters etc however afterwards she gave Miranda a boot camp in
surviving the social occasions maybe relating to other middle class people and
their struggles on social occasions.
Another narrative strand that makes audiences relate to her
is her trouble love life. To explain: Miranda’s love life has been mostly
portrayed as non-existent except for a few hints at romance during that later
seasons. However throughout all the seasons the strong friendship of the cook
Gary and Miranda has been an important part of the show giving the audience an
image of unrequited love where Miranda loves him but she is just a friend to
him.
Each episode also features predictable running gags such as
Penny (Miranda’s mother) always saying “what I call” before a noun for example
“what I call tennis”. This phrase: ‘what I call….’ Is used in every episode and
creates a good laugh for the audience because of Miranda’s reaction of her
predictably saying in annoyance “well it’s not just what you call tennis,
everyone calls it tennis, it is tennis’. Miranda always manages to lose her
clothing, such as in the episode when Miranda and the girls are at a formal
social event and she gets hot so she decides to take of her sweater, which is
over a blouse. However the sweater gets stuck on the blouse and she ends up
taking off all her layers resulting in her standing in a very formal social
event in her bra.
Stevie and Miranda always compete for boyfriends, such as
the episode when a customer at the shop leaves his wallet behind also giving
them insight into his life. With pictures of him, memberships to self-defence
classes pictures of his dog etc. Stevie and Miranda begin a battle to win over
the ‘wallet guy’ by buying dogs in hopes of seeing him in the park, attending
the same self-defence classes he does and more. Miranda always embarrasses her
friends socially, for example in an episode when she was again at a social
occasion but UN interested in the conversation that was being had just joined
in with the laughter whenever the woman finished a small part of the story.
However when she turned away to get a glass of Champaign she failed to notice
the subject changing to a man who had just passed and proceeded to turn back to
the conversation and laugh.
The sitcom addresses audience’s lifestyles, concerns, hopes
about relationships. Miranda always fails to explain her true feelings for
Gary, such as when Miranda and the Clive are talking about Miranda telling Gary
that she doesn’t want him to leave however when it comes down to it and Clive
says ‘Miranda has something to tell you’
she chickens out and says: " And the horse just galloped off".
She competes with, quarrels and makes up with Stevie, for
example when they are having a competition about who the wallet guy likes best
and then they begin to fight over it because Stevie says that she has the
allure that no man can resist but Miranda says that she herself may have the
allure too. But in the end once the competition is done they make up. She gets
scolded by her mother, such as in the episode when her mother says "just
act normal", when Miranda isn’t doing anything but standing there.
![]() |
Miranda shown lying down with Stevie (her best friend) looking disproving |
In most sitcoms, the audience is passive consumer but this
show is filmed before a live studio audience. In addition, Miranda establishes
a relationship with her audience by beginning every episode by breaking the
fourth wall and talking directly to them as well as doing this at small
intervals throughout each episode. She confides in us, the audience her
feelings, saying to Stevie: " I’ve been on loads of dates” and then
turning to the audience and saying; “I’ve literally been on one”.
For Blumler and Katz, audiences use media to gratify needs
(the uses and gratifications model of audience behavior). Miranda offers the
pleasure of entertainment, escapism and diversion by making us laugh. In
particular, both slapstick humor and verbal humor entertain us. Examples of
these include Miranda constantly pushing Stevie onto the ground whenever she is
annoying her showing slapstick humor or another example is when Miranda says:
‘ I am a smooth operator’ before promptly tripping over things on the floor and
falling on her face. An example of verbal humor is when penny says to Miranda
that she has to go to event and Miranda’s response is that she can’t because it’s
her daughters first birthday when all the people there know very well that Miranda
had no children.
Audiences also like to relate to the characters in
programmes; I have shown that Miranda offers many points of recognition in its
characters. Its also important that Miranda is a likeable character who does not
hold grudges. For example whenever she is insulted by Stevie or her mum or
friends she never holds it against them. It is also significant that Miranda
Hart is a well-known British actress and comedian and even went onto the graham
Norton show to promote her show.
Audiences tend to favor programmes that support their
values and their sense of their own identity. Part of our sense of self is
informed by making judgements about all sorts of people and things. This is
also true of judgements we make about TV and film characters, and celebrities.
The shows we watch, the stars we like can be an expression of our identities.
One aspect of this type of gratification is known as value reinforcement. This
is where we choose television programmes or newspapers that have similar
beliefs to those we hold. Therefore, equally important is the upbeat, comic
atmosphere of the show. Despite set-backs such as Stevie keeping her dog but
pretending that she had given it back Miranda bounces back, for example, when
she instinctively kept her dog in the kangaroo pouch.
Finally, audiences like to know what is going on in the
world (surveillance). This relates to Maslow’s need for security. By keeping up
to date with news about local and international events we feel we have the
knowledge to avoid or deal with dangers. In a sitcom, the characters face all
sorts of situations that we can experience vicariously, some of which are
challenging, such as having to say goodbye to a loved one, keeping a strong
emotion bottled up or dealing with constant criticism.
In conclusion, Miranda is a comedic sitcom based around the
hysterical struggles of life. It is very relatable and attracts a wide audience
of many age ranges because of the relatable aspects and topics that the show
incorporates. It also appeals to more people because the audience are engaged
more in the action because of being addressed to frequently. In my opinion this
is a great show that always makes me laugh.
Grade A*. Excellent work: you demonstrate convincing knowledge of the ways in which the show gives its audience pleasures and you relate the many illustrations to both genre and theoretical frameworks. Well done, Tiger.
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